Never Look Desperate

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Never Look Desperate is Sedaris meets Fleabag, a tragi-comedy romance set in Melbourne 2023. It features cremation bling, pineapple underwear, grief and vaccinated cruise ships. The central characters Bernard, Goldie and Minh are everything TED Talks tell you not to be.

The story tackles the absurdity of despair in a recovering world, the liberation from isolation and the wild frontier of middle-aged Tinder.

'Matthews's voice is funny and wry and heartbreakingly honest. She has empathy for everyone - even those of us who, like Bernard, are a little bit hopeless but not entirely without hope...' - Toni Jordan, author of Addition, Nine Days, Fall Girl

'Rachel Matthews understands the pleasures of tragi-comedy and knows exactly how to deliver them - the giggle that turns into a sob, the delight that morphs into insight, the black humour that assuages grief. The vulnerabilities of her characters make you want to scold them, scoop them up and tell them you love them.' - Sian Prior, author of Shy: A memoir and Childless: A story of freedom and longing

'Matthews writes with unflinching honesty tempered by humour and a wise compassion. Touching, funny and sexy, Never Look Desperate is transgressive but hugely readable...' - Clare Strahan, Cracked and The Learning Curves of Vanessa Partridge

'Never Look Desperate shines light on generational trauma and the effects it carries through our bloodlines in the most elegant and sophisticated ways. Without being afraid to touch on controversial topics, Rachel Matthews reveals the struggle of each character and their subsequent triumphs, entwining their stories to deliver a masterpiece on fear, resilience and, finally, love.' - Shayling Ngo, journalist, Seven West Media, Perth

'Dense, wry, glorious and tragic...figures who lodge deep in the heart...the unravelling and humiliation of being human...with humour, complexity and wit. There are precarious moments evoked in the wider cultural backdrop to this story-the post-viral anxiety runs like a vein beneath the characters' every thought. This work feels timely and tender.' - Ilka Tampke, author of Skin and Songwoman

'I was hooked. Rachel's characters are always exquisitely crafted, yet utterly real.' - Di Websdale-Morrisey, On A Wing and a Prayer

ISBN:
9780645565393
Format:
Paperback / softback
Pages:
304
Published:
Publisher:
Transit Lounge Publishing
Imprint:
Transit Lounge Publishing

Customer Reviews

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M
Meryl Tobin
Desperate for a Loving Relationship

Rachel Matthews knows how to write believable and memorable characters.
In her latest book ‘Never Look Desperate: a novel’ she brings to life three ordinary, every-day people resuming their social life after the lockdowns and repercussions of Covid.
What an introduction to the first character, Bernard, who is in his forties and misses his wife who had divorced him and then died. On p1 Matthews writes: With his wife gone and now his father departed, the world, it seemed, would keep taking pieces of him. Then on p9 readers learn more of his late wife: Silvia had seven miscarriages before she left him…. He was sad she had died without holding her child.
As a seven-year-old, the second character Minh had fled Vietnam with her parents and [racial] taunting at school had become part of her day(p12). She was looking for a meaningful relationship with a man.
The third character, Bernard’s mother Goldie had recently lost her husband Marvin and was grieving for him and questioning her life with him, especially as Bernard held her responsible for his death. On p26. Matthews writes: p 26 Goldie tasted everything as though for the first time. Her resounding memory of childhood was the ache of hunger and an old laundry under the house. Her mother had called it the Thinking Room. The cold smell lived deep inside. Goldie could still feel the damp against her body. Immediately readers become aware of depth and complexity to this character.
Readers who usually like to read books written in the third person with access to the point of view of only one character might find it disconcerting to see what is going on in the minds of three people. However, this device, along with a lot of telling as well as showing what is going on, helps round out the characters and helps readers understand the characters’ psyches. Once readers adapt to Matthew’s style of writing, they should enjoy the interaction between the characters and their interactions with others, including Marvin.
Apart from grief, family relationships and sexual relationships, other issues raised in the novel include inter-generational trauma going back several generations, challenges in trying to come to terms with wanting but not having a partner, passing the usual age for parenting children, and losing the ability to have children. Matthews understands the conflicts within the characters she creates and she empathises with them.
Matthews also seamlessly integrates current ethical issues into the story. For instance, after a meditation, Goldie turns on the radio. The ABC was broadcasting a debate called Viral Planet via the Melbourne Town Hall. A doctor from the World Health Organization spoke. ‘What have we spent globally managing the virus? Each year, 525,000 children under the age of five die from dirty drinking water.’
This book would appeal to anyone who likes to read about ordinary people and who wants to work out what makes them tick. Matthews knows the people she writes about and loves them despite their foibles, nerdiness or neediness. Readers are likely to feel the same, and they will think about the characters and the issues they raise long after they finish reading.

I highly recommend ‘Never Look Desperate: a Novel’ and give it a rating of 5 out of 5.